Clarkesworld continues to bring great translated stories. This story is translated from Chinese by Blake Stone-Banks and is another story that deals with death and especially what makes a life worth living.
In some unspecified dystopian future a state handles the overpopulation by offering a program that gives people a good deal of money if they accept certain death at a younger age. The story follows a man called K Li who takes such a deal and the story is split between his meeting with an advisor that administers the practicalities when he accepts the deal as a teenager and later in his life when his time is almost up. The deal is enforced with a drug that will slowly and painfully kill when the specified time of death is reached, which can be avoided if they seek out voluntary euthanasia at the states clinic.
Most of the story takes places when K Li is around 40 years old and the drug will soon kill him. He lives in an apartment building with other “upstarts” – the term used for those who have taken this deal. It is clear that even though he got several millions he could use until his death some 20 years later, he hasn’t had a good life. He spends most of his time being passed out drunk in his apartment, not unlike many of the other “upstarts” in his apartment complex. The deal might give people money, but lots of rights are also taken away and the rest of the population seems to resent the “upstarts”.
One day a young woman shows up at his door and convinces him that there might be an antidote for the drug that will soon kill him, and she leads him to what appears to be some sort of resistance group. The story evolves into an exciting thrillerplot with quite a surprising ending.
What I think makes this story work so well and why I would consider it worthy in a “best of the year”-anthology is how it tackles this “deal with Devil”-type scenario with a proper amount of emotional depth without going overboard into melancholy. There is also a pretty exciting thriller plot and both parts are given enough space in the story, so one is not merely a piece to make the other element work. We don’t get a lot of background information on this society or why it handles overpopulation in such a way, but it is not needed to make the story engaging and thought provoking in how to put value on a human life.
This anthology published by Baen and edited by Jim Baen, David Drake and Eric Flint collects 29 short stories from “the Golden Age” – mainly from the 40s and 50s. What makes this retrospective anthology unique is the selection criteria used by the editors. They haven’t set out to pick the best of the best stories from that era, though they stand by every story as great, but their choices are based on stories that made a big impression on them at a young age.
While I have reviewed a couple of the stories here, I don’t think the stories here are what makes this anthology interesting. I greatly appreciate when editors have forewords and/or afterwords to each story, since an anthology is more than just a bunch a stories. I want to hear about why the an editor has chosen a specific story and on what criteria. The three editors are very open and honest about why each an every story is in here. Some stories they have all agreed upon, others are stories that one of the editors really wanted to include for personal reasons. Most of the stories are there because it is a great story that made an impression when they first read it, while some are there because the editors wanted a specific type of story from a certain author represented and couldn’t include a whole novel, even though it was actually the authors novels that they have read as a teenager. Heinlein for example and his story The Menace from Earth are included as an example of his juveniles novels.
While I admire the editors for making an anthology with this very personal criteria, I am not so sure it makes for a great anthology when it comes to the actual stories. There is no false advertisement on this book – they are very honest about why this book is made, so it might not be a fair criticism. Still, most of the stories just made me think that I can see how that could have impressed me as a teenager as well. It has some nostalgic value, even though this is not close to the era of science fiction I grew up with. In certain places, some stories halfway recreates that feeling of being awestruck by simply imagining a whole galaxy filled with alien life.
There are still some great stories that are worth reading by any science fiction fan. Like Omnilingual, Rescue Party, The Aliens or Thunder and Roses. Nevertheless, reading this anthology was mostly a meta-exercise for me. Meaning it was interesting to read stories that clearly have influenced these editors, and probably other writers and editors from the same generation. As well as reading lesser known stories from the Golden Age of science fiction. But it was also mostly a detached intellectual reading. Only a few stories made me forget the premise of the anthology, where I could just enjoy the story on its own.
This anthology is clearly not for everybody. If one wants to read a great selection of amazing stories from that period in time, my recommendation would be The Science Fiction Hall of Fame, Volume One and Two. If you are already well read in the science fiction short story classics, then this anthology will likely give something a bit different.
This story is a unique mix of non-fiction and fiction dealing with a very realistic near future technology of chatbots run by AI – especially with the recent ChatGPT.
The story takes the form of a mix between an article referring to past events and a regular short story told from the point of view a reporter. It starts with events leading to a suicide of a businessman who was under investigation for knowingly selling faulty pacemakers. Apparently he got a ton of private messages through various digital channels in the months leading to his suicide. The messages were very demeaning and could have pushed him over the edge to commit suicide. The reporter investigates the origins of these messages in this and similar cases, and through her investigation discovers an automated chatbot named Sylvie. But the bot doesn’t just try to push bad people to commit suicide, it also uses the same machine learned algorithms to help people in need. All this is mixed with various fact infodumps about machine learning technology and some philosophical arguments about the ethical and legal issues of such an autonomous chatbot.
The story is very successful is introducing some interesting dilemmas we might very soon face with current technology. I am just not sure it entirely works as a fiction short story since it is mostly an opinion essay on the subject, but I can also see how using a fictionalized case study to explore the issues makes the morale questions easier to relate to. A story worth reading but a mixed experience.
There is a lot going on in this near future thriller. Drones, high tech weapons, rejuvenation technology and more all mixed into a fast moving story about an old multibillionaire, a young scientist and murderous villains.
The short story has a tragic prologue about a boy witnessing the assassination of his parents. The story jumps to the year 2049 and early in the story it becomes apparent that the boy is Jacob Maweela – now a rich philanthropist in his 80s who has recently had rejuvenation treatment making him around the age of 30 again. The story is told from the point of view of a young researcher, Kaela, who is approached by Jacob to further develop her nanodrone technology to provider better healthcare in poor countries. However, Jacob is also under constant threat of assassination from the same people who killed his parents. Kaela and Jacob develops sort of a close non-romantic relationship while the plot unfolds.
There are plenty of things to like in this story, but also quite a few issues that make me wish that it was given an extra round of editorial rework to reach its potential. The story lacks focus in my opinion. Too many elements and plotpoints are introduced that it is hard to keep track of what is actually important. The rejuvenation? The technology that can help poor people? The assassination plot? The relationship between Jacob and Kaela? All fascinating topics on their own, but the story is not long enough to give enough depth or meaning to much of it. The main focus seems to be Jacobs internal struggle with how he can protect his family and employees from the death threats, but since the story is told from Kaelas viewpoint, we only get a distanced look at Jacobs thoughts and actions.
The author does manage to create a very authentic and believable future, which makes the story recommendable, but I feel it is also a missed opportunity for a tighter and more focused plot.
Read in Fantasy & Science Fiction, November/December 2022 Rating: 3
This long novella is set in a future where humans have been in contact with an alien race called the Trishti for about 50 years. These aliens tell of a huge galaxy with plenty of other peaceful aliens. But humans must develop their own stardrive first to join this galactic community, while the Trishti are helping in small ways.
The author paints a peaceful and prosperous future in this scenario, where humans have adapted a lot of Trishti culture like naming their children inspired by Trishti names. Most people seem to like the aliens, but a few are also skeptical because humans have now become so dependent on them.
The plot gets going when the leader of the Omicron–project, the project that is working on the stardrive, declares they have succeeded. The Trishti then announce that their work here is done and starts to leave. However – the project is nowhere near finished and it was all a lie that somehow should have deceived the Trishti into revealing more of their secrets. This sets several things in motion with a political and diplomatic scandal as people try to convince the Trishti to stay. But the aliens may also have their own secrets that turns things around.
This story has plenty of good elements for an interesting thriller with mysterious aliens, political intrigue and deceitful plot treads. It is slow going though and the story is too long. It presents some interesting glimpes of how society has changed with 50 years of influence from the aliens, but it isn’t used for that much in the story. Also, most of the plot development is driven by people keeping various secrets and only reveal them when the story needs it. It is not my favorite way of storytelling, but the plot twists are interesting in their own right. Throughout the story there are a few mentions of the Trishtis music, which I assume explains the title of the story, but it was never really clear to me why that element should be so important – other than being something intriguing about them.
This is one of the all time classic stories of science fiction in my opinion. It also has all the elements that got me reading science fiction in the first place – ancient alien civilizations and scientists doing proper deductive reasoning.
Humans have discovered ancient ruins on Mars of a now extinct advanced civilization. They find buildings, machinery and books, but no remains of the martians. The story focuses on Martha Dane who desperately tries to decipher the martian texts, but without any sort of primer or Rosetta stone she makes little progress. Her coworkers are not making it any easier by demanding that she drops her research because they deem it impossible.
This is one of those classic science fiction stories that isn’t just “good for its time” or “important for the genre”, but a genuinely great story to read today. In my opinion, scientists and their research process are too often portrayed in an either dumbed down or overly dramatized manner. This is one of the great exceptions that makes the whole process believable and engaging. That the main protagonist is a woman isn’t something you think much about today, but I would assume for its time it was a bit out of the ordinary. Just another plus point for this story. Haven’t been many great female characters in the anthology The World Turned Upside Down so far.
Read in The World Turned Upside Down Originally published in Astounding, February 1957 ISFDB Link Read the story at gutenberg.org Rating: 5
This debut story published in Galaxy’s Edge is a decent space opera type story about a human mind uploaded into a machine.
The story follow Susan who is working in an environment with lots of radiation and she has been diagnosed with a cancer she cannot afford the cure for. She does has the option of continue to “live” with her mind uploaded to a military robot. To continue her existence she must do well in the war. All her actions are rewarded or penalized with a point system and she will be terminated if her point score goes too low – or buy upgrades with enough points earned. On her very first mission she will need to think outside the box to survive.
I like how the story is straight to the point and just throws the reader and the protagonist right into a tough situation. The downside is that we barely get any character development, so even though it is easy to sympathize with Susans situation, it doesn’t have much weight and I didn’t really cared much what happened to her. It is easy to see the story as an allegory for the healthcare system in the US with its unequal access to proper treatment, and I am fine with stories with a message, but this story only manages to scratch the surface of the rather big science fiction theme on mind upload and getting a second life in an artificial body. Still, it is a decent debut story.