Music to Me by Richard A. Lovett

This story is part of a series of stories with recurring characters, but I think it stands quite well on its own. In a future where spaceships have an AI personality, after a long journey to the outer parts of the solar system a ships AI, named Brittney, have become more self aware than is usual for these AIs. Going back to Earth Brittney must adapt to “survive” so it can keep its memories and unique personality. Brittney gets sort of refurbished into a personal AI for a human host. They start working together for shared and individual goals.

There are so many AI stories in the last couple of years that I become tired of them quickly, but this story tells me that better and more interesting AI stories were written several years ago. Lovett creates the right balance between a relatable and interesting AI character - without it is too much like a human. Very much recommended.

Read in Analog January/February 2014
Rating: 4

Work Minus Eighty by Will McIntosh

This story is sort of a sequel to his 2009 Hugo Award winning short story “Bridesicle”. That story was brilliant so I was somewhat skeptical that it should need a sequel. In my mind “Bridesicle” was perfect on its own and didn’t need any followup. Maybe I am biased because of that, but I don’t think this new story works nearly as well. In fact it has a good deal of problems.

The premise of both stories is a future where people can be revived from the dead, but the insurance is expensive so not everybody has that opportunity. A company has taken advantage of this by picking deceased young woman and putting them in frozen storage. Then rich, mostly old, men can order short dates with them and then pay for the revival if she agrees to a marriage contract. It is not even implied, but clearly stated that this basically means that these women only get a second chance at life if they agree to become sex slaves. At least until the rich guy dies.

The original “Bridesicle” handled this beautifully by not dwelling excessively on this abhorrent business concept, but built an interesting story told from the point of view of one of the dead women and her complex relationship with the guy who falls in love with her. That story was in my opinion perfect and a very worthy award winner.

“Work after Eighty” tells a similar story from the point of view of a woman who works at the clinic. One day an old high school friend turns up as one of the newly dead women in the clinic. She takes it upon herself to try and coach her old friend into how she can get out alive by saying the right things to the dirty old men coming to date her. The problem with this story is that it spends almost every page telling the reader how awful this concept is and how horrible these rich old men are.

I don’t mind stories with a political message and there can be plenty of good reasons to make rich men the villains in a story, but in my opinion that cannot stand on its own. There is still a need to write a good story with interesting and complex characters. Perhaps even introduce some ambiguity and create a sense of doubt about the morals for the reader.

I don’t think most people need much convincing that a company that let’s rich men revive young woman to become their “wife” if they want to live again is immoral. Then it becomes somewhat tiresome with a whole story with basically different ways of saying the same thing.

I am probably more harsh on “Work after Eighty” than it objectively deserves. On its own it works for what it wants to achieve, but go read “Bridesicle” if you haven’t.

Read in Asimov’s July/August 2022
Rating: 2