The Algorithms for Love by Ken Liu

Ken Liu is a gifted writer that has a talent for combining hard science fiction concepts with human emotions in beautiful written stories. This story from 2004 is among his best.

The story follows Elena who is a genius with robotics and language algorithms. She has created a very lifelike robotic doll that is both able to speak almost fluently and has very advanced motoring skill. The doll quickly becomes immensely popular and the company she works for has trouble keeping up with demand. She partners up with Brad, the CEO of the company, and she gets pregnant. Sadly, they lose the child during pregnancy and Elena is unable to get pregnant again. This emotionally devastates Elena and she buries herself in working on a new robotic doll, this time one that resembles a newborn. That too becomes a product sold by the company, with mostly other grieving mothers as customers.

As the story progresses, Elena becomes more and more obsessed with her creations. Working so intense with especially the speaking algorithms, she starts to view the real world in the same algorithmic terms. She knows how her own algorithms work and that everything they produce are mathematically predictable, which she increasingly believe is also true for human behaviour. Basically her worldview breaks down as she questions whether human are even conscious or any different from the artificial intelligence she has created. That everything we do is inherently deterministic. There are some direct references to the Chinese Room argument on the matter.

Liu manages to weave all these philosophical questions about the nature of consciousness into a very beautiful written short story, that has the technology used described in a plausible way while still keeping focus on the human emotions and making them engaging and believable for the reader.

Read in Twenty-First Century Science Fiction Originally published on strangehorizons.com
Rating: 5

Eros, Philia, Agape by Rachel Swirsky

This was a real positive surprise. At first I was a bit weary with yet another AI robot human relationship story. 2021 and 2022 has had too many stories with that sort of theme. This story reconfirms my opinion that the best AI robot stories are at least 10 years behind us, even though it is immensely popular now.

We follow Adriana and her relationship with the android Lucien she has bought for companionship. During their together Lucien develops his own personality and they also end up having a child. The plot is minimal, the important stuff is in the development of these three characters and their feelings for each other - especially as Lucien develops more free will. Hence the title of the story with the different types of love.

What I think works exceptionally well here is how it is told with various jumps back and forward in time. We know the outcome, or at least hints of it, but not why or how yet. Even in a relatively short story, the author manages to show us the developments of three personalities at once. The point of view is mostly for Adriana, but the childs and Luciens character development is equally important.

Read in Twenty-First Century Science Fiction, edited by David G. Hartwell
Read online at Tor.com
Rating: 4

The Last Man by Eric Leif Davin

This is a pretty short story set in a post-apocalyptic world where a virus has killed almost everyone. A woman is strolling through an abandoned supermarket for supplies when she spots a man. Seeing other people alive is a rare event, so her first response is to flee.

However the man overpowers her, captures her and they go back to where she and another woman lives. The man tries to convince them that they shoudl get pregnant with him, so they can repopulate the Earth - and this will be a spoiler for the ending but I honestly don’t think readers will be missing much, but the women manages to kill him. Apparently they have killed several men before in a similar fashion.

It seems like the story at least to a degree tries to mimmick “Houston, Houston, do you read” by James Tiptree, Jr. with a premise of characterizing men as ultimately violent and misogynistic. Where the classic Tiptree story had fully fleshed out characters and handled the topic with plenty of ambiguity and nuances, this story simply turns the caricature of an incel man up to 11 only to kill him off instantly. All rather pointless and without any depth at all to the topic the story wants to deal with.

Read in Galaxy’s Edge January 2023
Rating: 1

The Impossibles by Kristine Kathryn Rusch

Rusch is usually a reliable author of good entertaining stories and this court-drama is no exception. It is part of her Retrieval Artist stories, but I only realized that afterwards and the story is perfectly fine on its own.

The story follows a lawyer trying to do her best in an interspecies court system where humans have to accept being prosecuted by alien law. This has created a very stressful system for the lawyers, where the best case scenario usually is just a reduced sentence, even though the crime is something small like stepping on a flower or simply touching a specific alien.

As what is often a main ingredient in these types court room dramas, a special case comes along that needs some creative thinking and the use of loopholes in some old laws. That aspect of the story is fine, but the highlight for me was the whole background setting, where we get small drops of details about how this whole ordeal is one big diplomatic trade between Earth and various aliens in order to get access to the galactic trade network. Rich people can of course buy their way out of trouble, but regular people just have to accept being judged cruelly by alien laws they have little way of avoiding. In addition, the main character is a likeable type that really tries to good within the system. All in all a fairly straight forward story that mostly goes where you expect it to, but it was an enjoyable and entertaining read.

Read in Analog December 2011
Rating: 3+

Ray of Light by Brad R. Torgersen

Aliens have turned down the light from the sun causing a global iceage and humans have fled into underground habitats where there is still some heat from the Earths core. A few decades later, some teenagers want to see the sun and the sky - even though they have only heard about in stories from their parents. They set out to make it happen by taking some submarines further than anyone has ever done.

This plot unfolds between the present where a father is searching for his daughter and uncovering what she and her friends are up to, and some flashback scenes from when the girl was younger in which she and we as readers gets some more background on the events that led to this.

This story is quite similar to “A Pail of Air”. Similar premise and same theme about humans finding almost poetic hope in a terrible situation. In places Torgersens tend to be a bit on the sentimental side, but I was still somewhat moved by the story and how it portrays the need for hope and optimism in desperate situations.

Read in Analog December 2011
Rating: 3+

What We Call Science, They Call Treason by Dominica Phetteplace

This story is set in a near future Silicon Valley where a tech billionaire gets his friend to test a prototype of a bracelet that is able to detect the current mood of the wearer. It glows different colors depending on whether the person is intrigued, skeptical, afraid, excited and so on.

At least that is where it begins, because the story quickly takes some wild turns where we end up in a parallel world with an highly advanced Roman empire. Apparently, the tech billionaire has stolen some of his tech through a portal to this world.

There are quite a few interesting concepts introduced here and a couple of noteworthy jabs at the tech billionaires of the present, but it is simply too many things crammed into too few pages. The story starts in a normal pace, then quickly goes into overdrive and then it is all over with a couple of timelapse paragraphs. These kind of ideas could really have benefited from at least a novella to come properly together.

Read in Asimov’s January/February 2023
Rating: 2

Off the Map by Dane Kuttler

This debut story had a setup that reminded me of “Welcome Home” by Jendayi Brooks-Flemister in Asimov’s January/February 2022. In a dystopian future Ava is struggling raising her three children alone and she is under constant surveillance by the government. Even minor missteps might get her to lose custody of her kids. One day she gets an offer to relocate to a company owned small community town in Florida and she see no other option to accept.

At her new home she meets with other families like herself and the staff that treats her and her kids well. Their basic needs are taken care of, the kids can go to a good school and everyone is helping one another in this small community. It is almost paradise. Ava barely has time to question the whole thing, but we as readers are just waiting for the catch or the twist. It has an overtone of everything being too good to be true.

Unsurprisingly there is a twist at the end that turns things around, but I found it to be a very rushed and a bit unlikely ending. Still, this is a debut story and I genuinely think the author has successfully written an engaging story with properly developed characters, but the actual plot could use some work.

Read in Fantasy & Science Fiction, January/February 2023
Rating: 2+

Up and Out by Norman Spinrad

This long novella was a tough one to get through. It is basically one long love letter homage to Elon Musk. Even without the recent Twitter debacle I don’t think Musk is someone who deserves much praise. He might have grand ideas about humans colonizing space in the near future, that can seem admirable especially for science fiction fans. But with his complete lack of basic human decency, I wouldn’t wish for a future led by people like him. At times I was unsure whether this whole thing is meant as satire, but I actually don’t think so.

The story takes place at least 100 years in the future and a slow colonization of the solar system is in progress. The story is told like a journal and autobiography by a business man who has named himself Elon Tesla in honor of Musk - who allegedly showed humans the way to colonize space. Now Elon Tesla takes the credit for terraforming Mars, building space habitats around Jupiter and the creation of hibernation technology allowing humans to travel great distances in time and space without reducing their biological lifespan. The background frame around Teslas lifestory is the discovery of an alien spacecraft on course for Earth that will reach us in a thousand years. And he wants to meet them.

The whole Elon Musk fanism is bad enough but even if I tried to read it with that name erased, the story is really just very boring. Things are told with broad strokes about all the big developments without any details. A story written as an autobiography really needs an interesting character to be worth it, but Elon Tesla has basically no personality at all. It is unclear what he even does. He is not a brilliant engineer inventing stuff making it all possible. He doesn’t even has the big ideas. Seemingly all he does is provide funding for other peoples ideas and then takes the credit. In that sense, I guess he resembles Elon Musk.

Read in Asimov’s January/February 2023
Rating: 1

Upstart by Lu Ban

Clarkesworld continues to bring great translated stories. This story is translated from Chinese by Blake Stone-Banks and is another story that deals with death and especially what makes a life worth living.

In some unspecified dystopian future a state handles the overpopulation by offering a program that gives people a good deal of money if they accept certain death at a younger age. The story follows a man called K Li who takes such a deal and the story is split between his meeting with an advisor that administers the practicalities when he accepts the deal as a teenager and later in his life when his time is almost up. The deal is enforced with a drug that will slowly and painfully kill when the specified time of death is reached, which can be avoided if they seek out voluntary euthanasia at the states clinic.

Most of the story takes places when K Li is around 40 years old and the drug will soon kill him. He lives in an apartment building with other “upstarts” - the term used for those who have taken this deal. It is clear that even though he got several millions he could use until his death some 20 years later, he hasn’t had a good life. He spends most of his time being passed out drunk in his apartment, not unlike many of the other “upstarts” in his apartment complex. The deal might give people money, but lots of rights are also taken away and the rest of the population seems to resent the “upstarts”.

One day a young woman shows up at his door and convinces him that there might be an antidote for the drug that will soon kill him, and she leads him to what appears to be some sort of resistance group. The story evolves into an exciting thrillerplot with quite a surprising ending.

What I think makes this story work so well and why I would consider it worthy in a “best of the year”-anthology is how it tackles this “deal with Devil”-type scenario with a proper amount of emotional depth without going overboard into melancholy. There is also a pretty exciting thriller plot and both parts are given enough space in the story, so one is not merely a piece to make the other element work. We don’t get a lot of background information on this society or why it handles overpopulation in such a way, but it is not needed to make the story engaging and thought provoking in how to put value on a human life.

Read in Clarkesworld December 2022
Rating: 4

The World Turned Upside Down

This anthology published by Baen and edited by Jim Baen, David Drake and Eric Flint collects 29 short stories from “the Golden Age” - mainly from the 40s and 50s. What makes this retrospective anthology unique is the selection criteria used by the editors. They haven’t set out to pick the best of the best stories from that era, though they stand by every story as great, but their choices are based on stories that made a big impression on them at a young age.

While I have reviewed a couple of the stories here, I don’t think the stories here are what makes this anthology interesting. I greatly appreciate when editors have forewords and/or afterwords to each story, since an anthology is more than just a bunch a stories. I want to hear about why the an editor has chosen a specific story and on what criteria. The three editors are very open and honest about why each an every story is in here. Some stories they have all agreed upon, others are stories that one of the editors really wanted to include for personal reasons. Most of the stories are there because it is a great story that made an impression when they first read it, while some are there because the editors wanted a specific type of story from a certain author represented and couldn’t include a whole novel, even though it was actually the authors novels that they have read as a teenager. Heinlein for example and his story The Menace from Earth are included as an example of his juveniles novels.

While I admire the editors for making an anthology with this very personal criteria, I am not so sure it makes for a great anthology when it comes to the actual stories. There is no false advertisement on this book - they are very honest about why this book is made, so it might not be a fair criticism. Still, most of the stories just made me think that I can see how that could have impressed me as a teenager as well. It has some nostalgic value, even though this is not close to the era of science fiction I grew up with. In certain places, some stories halfway recreates that feeling of being awestruck by simply imagining a whole galaxy filled with alien life.

There are still some great stories that are worth reading by any science fiction fan. Like Omnilingual, Rescue Party, The Aliens or Thunder and Roses. Nevertheless, reading this anthology was mostly a meta-exercise for me. Meaning it was interesting to read stories that clearly have influenced these editors, and probably other writers and editors from the same generation. As well as reading lesser known stories from the Golden Age of science fiction. But it was also mostly a detached intellectual reading. Only a few stories made me forget the premise of the anthology, where I could just enjoy the story on its own.

This anthology is clearly not for everybody. If one wants to read a great selection of amazing stories from that period in time, my recommendation would be The Science Fiction Hall of Fame, Volume One and Two. If you are already well read in the science fiction short story classics, then this anthology will likely give something a bit different.

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